The fog scene towards the middle of the film is a good showcase for this.ĭialogue is prioritised in the centre and is distinct (even Damon's accent), with Ramin Djawadi's score (for most part) presented in the front surrounds where it doesn't get lost in the big action scenes. To our ears it’s a dynamic and layered soundtrack, adept at conveying quiet, still scenes very well but also able to ratchet up the size of the sound without losing clarity. Whenever the war drums kick off you can feel the rumble but it never drowns out other elements. The Dolby Atmos soundtrack is even better, with good use of the surround channels to simulate movement of the Taotie and some nice panning effects - any time there’s a flurry of arrow strikes there’s a rush of noise. We intend to make an IMAX film that IS The Great Wall. The Wall is a story of a people’s preserving spirit, monumental achievement, struggle, violence and beauty all wrapped in the history of a great civilization. Skin-tones look natural, especially given the range of complexions among the Chinese cast. The Great Wall is imbedded in the very soul of China. Shadows are well defined as well, with some pretty good blacks on show.
THE GREAT WALL MOVIE SUMMARY TV
A TV that's dialled in should be able to pick up the details of Nameless Order’s burnished armour, which reveals some nicely etched patterns. 'A Great Wall' is a human comedy about a Chinese-American family that goes to visit relatives in Peking, and within that simple premise are so many inspirations that the movie is interesting even when its just looking at things. Have a look at the sweaty and dirty faces in the close-ups at the film’s beginning to get a sense of it. These scenes feel awash with colour, and are a good test of a TV's colour and contrast levels.ĭetail is very good. Shot digitally, it's a colourful film - though it errs towards a more a muted palette until we reach the capital Bianling, where the colour really pops off the screen.
In terms of A/V The Great Wall is a brighter prospects.
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